Monday, January 31, 2005
Book Review > 'Collapse': How the World Ends
By GREGG EASTERBROOK
COLLAPSE
How Societies Choose to Fail or Succeed.
By Jared Diamond.
Illustrated. 575 pp. Viking. $29.95.
EIGHT years ago Jared Diamond realized what is, for authors, increasingly a fantasy -- he published a serious, challenging and complex book that became a huge commercial success. ''Guns, Germs, and Steel'' won a Pulitzer Prize, then sold a million copies, astonishing for a 480-page volume of archeological speculation on how the world reached its present ordering of nations. Now he has written a sequel, ''Collapse,'' which asks whether present nations can last. Taken together, ''Guns, Germs, and Steel'' and ''Collapse'' represent one of the most significant projects embarked upon by any intellectual of our generation. They are magnificent books: extraordinary in erudition and originality, compelling in their ability to relate the digitized pandemonium of the present to the hushed agrarian sunrises of the far past. I read both thinking what literature might be like if every author knew so much, wrote so clearly and formed arguments with such care. All of which makes the two books exasperating, because both come to conclusions that are probably wrong......
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COLLAPSE
How Societies Choose to Fail or Succeed.
By Jared Diamond.
Illustrated. 575 pp. Viking. $29.95.
EIGHT years ago Jared Diamond realized what is, for authors, increasingly a fantasy -- he published a serious, challenging and complex book that became a huge commercial success. ''Guns, Germs, and Steel'' won a Pulitzer Prize, then sold a million copies, astonishing for a 480-page volume of archeological speculation on how the world reached its present ordering of nations. Now he has written a sequel, ''Collapse,'' which asks whether present nations can last. Taken together, ''Guns, Germs, and Steel'' and ''Collapse'' represent one of the most significant projects embarked upon by any intellectual of our generation. They are magnificent books: extraordinary in erudition and originality, compelling in their ability to relate the digitized pandemonium of the present to the hushed agrarian sunrises of the far past. I read both thinking what literature might be like if every author knew so much, wrote so clearly and formed arguments with such care. All of which makes the two books exasperating, because both come to conclusions that are probably wrong......
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